Early in the Definition Phase of a new project, the system is described in the form of a Program Document or Request for Quotation, Preliminary Equipment List, and Conceptual Diagrams. The Systems Engineer has the responsibility of translating and consolidating the relevant information from these various sources into a detailed construction drawing set.
The primary course goal is to provide a structured approach for building producing sets that reflect the professionalism SIC routinely provides its customers. Focus will be on organization, logic, and the reasoning behind SICs’ engineering and drawing quality guidelines. This allows engineers to use reason (not memorization) to deal with daily and new situations.
The usual baseline design philosophy is to communicate the system mechanics and signal flow clearly and completely in as few drawings as possible. Drawings need to include all the information required by the three general classes of drawing usage:
There are a variety of definitions in Webster’s dictionary for Synoptic, but here are two that define our context:
The synoptic drawings produced give a variety of snapshots of a television system design. The entire synoptic set (also referred to as the drawing or construction set) pictorially communicates all one needs to know about the system as a whole. The snapshots begin at the widest angle as a bird’s-eye-view of the facility’s floor plan. A Conceptual Flow Diagram provides the “big picture” of the system as interconnected operational blocks. Subsequent snapshots methodically zoom into the major blocks. The system is divided and drawn as Video, Audio, and (optional) Control subsystems; each revealing specific meaningful detail needed to build and maintain each subsystem. At the end of the drawing set are the minute details for construction of multipin cable connectors and custom fabricated panels and consoles.
The purpose of synoptics is communication. We want to transfer the “encoded” information on the synoptic to our end-users in the best, most efficient way possible. To that end, synoptics should:
After studying the initial documents, visualize the system drawing requirements and how the system fits together. One approach is to do one or more storyboard mock-ups of the drawing set to see how the system drawings can be most efficiently and logically laid out.
Each sheet of the mock-up drawing set represents one D-size drawing and is a rough thumbnail sketch indicating the sheet's future intended content. The sketch shown here may be deceptive in that (for the sake of easy reproduction) a drawing program was used to create it. Hand sketches are, in fact, the norm at this stage.
The goal is to arrange the drawings so the drawing set “reads like a book"; with the overview drawings in front and minute details in the back. Also, try to arrange drawings in a functional order to minimize page flipping when following wires leaving one page and landing on another.
There are a couple of advantages to the "mock-up" approach. One is it lets you try out a drawing order scheme and easily reshuffle drawings if the set doesn't "read like a book." Another is the 81/2 X 11 thumbnail sketches can be used by the project’s lead engineer to communicate task assignments to other project engineers. The mock drawing set approach is recommended, but is only one of many possible approaches. Many experienced engineers can visualize the required drawings and prefer to create their drawing lists using an Excel spreadsheet only.
Next are the high-level “big picture” drawings. These drawings are architectural and overview in nature and, as such, are kept together near the beginning of the set.